In the photo above I had one eVOLV 200 to the back left of the bride pointed at her head. There was a second in the front right of the groom. Both are at 1/128th power. Exposing for the background means that my flashes work less hard.
I usually have a third flash on camera. That one was set to 1/32nd and was bouncing off the white card that comes with the flash. Occasionally I’ll throw a Magsphere on it.
As always, I exposed for the background to start. To the direct right of me, extended up and pointed down with a Magbox on it. It helps spread the light. The light in this church was already gorgeous. It was just a little dark in there, especially on this platform. This is where the bride wanted to do all of her family portraits and wanted some with her friends nad family here too because the church is special to her and her family. No problem, OCF can help!
The light was at 1/64 power and the most I ever had to move it was dependent on how many people were on this platform.
This quick photo on the dance floor was taken in the same way as the others, but with only one flash on camera. I bounced it off of the white card that comes with my flash. Same formula as above. I exposed for the background (which is why you can see all the people in the background) and then I filled in with flash. It was at 1/64 power.
You can also do this by pointing your flash at a wall or any bright white surface. Some venues you don’t get this lucky or there’s brick everywhere. There are warehouses in Kansas City with black ceilings and dark as hell walls. They’re aesthetically gorgeous but they don’t work well for bouncing flash and in those situations having several flashes is key.
I have an eVOLV 200 light on a small stand behind them pointed up which is what you see coming through Emma’s veil (on the right) it is set to 1/128th power. My second photographer held the second light on a stand to the right of me and above them shining it down. That light was on 1/64th power. It was brought up a bit in post, but again I exposed for the background and the light did the rest of the work. This venue is popular for its marquee and it’s customary to get a portrait out there at night so it’s crucial to know how to.
Here’s some fun reception shots I’ve gotten with the techniques above. This is especially good at overpowering those pesky DJ lights you may encounter. Off camera flash for weddings can take your work from average to stellar super quickly.